03 Jun Swimmers trophy + tacky fish pendant = Mermaid!
Swimmers trophy + tacky fish pendant = Mermaid!
Swimmers trophy + tacky fish pendant = Mermaid!
Last Friday I had the privilege to install several of my sculptures in the stairwell of Google’s building 43 in Mountain View CA. They will be on view there for the next few months. Follow the link to see a slideshow:
http://www.nemomatic.com/nemomatic/press_blog/Entries/2012/5/26_Installation_at_Google.html
Some pretty good finds this week. Check out the crazy adjustable brass candle sticks! I’ve also been looking for a little sheet metal machine for a while now. Not the kind of thing one expects to find at a scrap yard.
“The Team” (A.K.A.) at Maker Faire this year from left to right:
Tal Avitzur, Aaron Geman, Mark Galt, Jonathan Foote, Nemo Gould, Christopher Palmer (CTP).
Something like one hundred thousand people in attendance, and three editors choice ribbons for our booth, I think it was a pretty good year.
Getting “Head Case #2” ready for the destructive force that is Maker Faire! He’ll be on display in the Applied Kinetic Arts booth in the South East corner of Expo Hall, San Mateo fairgrounds Saturday and Sunday, May 19-20.
He’ll be in good company too: Benjamin Cowden, Mark Galt, Aaron Geman, Jonathan Foote, and Tal Avitzur.
See the link below for a full program of exhibitors and events:
http://cdn.makezine.com/make/makerfaire/bayarea/2012/MF12BA_Program_LoResFINAL.pdf
Big Thanks to all who came out to Natural Selection last weekend! For those who couldn’t, I’ve uploaded a collection of images to Flickr and Facebook.
If you can’t see the slideshow below you can view the images here: http://www.flickr.com/photos/nemomatic/sets/72157629728025960/
Or here: http://www.facebook.com/media/set/?set=a.10150969884489187.482278.66801769186&type=1
Big show tonight folks! Don’t come if you don’t like awesome.
305 Center Street, Oakland CA 5-9PM
Mayday! Mayday!
New piece finished up last minute before our show this weekend!
A stranger in an even stranger land finds himself in peril, desperate for a safe place to land.
Materials:
Radio cabinet, chalk line, license plate light bulb cover, typewriter cooling fan blade, radio tuning knobs, book illustration clippings, fresnel lens, LEDs, motors
Mayday! Mayday!
New piece finished up last minute before our show this weekend!
A stranger in an even stranger land finds himself in peril, desperate for a safe place to land.
Materials:
Radio cabinet, chalk line, license plate light bulb cover, typewriter cooling fan blade, radio tuning knobs, book illustration clippings, fresnel lens, LEDs, motors
Here is the video for my new piece: ”High Voltage“ 2012 (102” x 65” x 24”)
This sculpture uses an effect known as a “Jacob’s Ladder”. A high voltage arc is produced by way of a neon sign transformer, and then transmitted up the electrodes in the sculptures head. I’m personally very pleased with the movement with this one. All the action is generated within the abdomen. The little pistons in the ankles act as shock absorbers to smooth out the motion.
Materials:
Industrial water valve, scaffold tubing, street light support arms, glass tube, vacuum cleaners, lamp fixtures, bicycle pedal cranks, neon sign transformer, gears from floor polisher, magnifying lens, drain cover, high voltage vacuum tubes, hydraulic dampers, plastic, phenolic, motor, LEDs
New piece to share: “High Voltage“ 2012 (102” x 65” x 24”)
This sculpture uses an effect known as a “Jacob’s Ladder”. A high voltage arc is produced by way of a neon sign transformer, and then transmitted up the electrodes in the sculptures head. I’m personally very pleased with the movement with this one. All the action is generated within the abdomen. The little pistons in the ankles act as shock absorbers to smooth out the motion.
Materials:
Industrial water valve, scaffold tubing, street light support arms, glass tube, vacuum cleaners, lamp fixtures, bicycle pedal cranks, neon sign transformer, gears from floor polisher, magnifying lens, drain cover, high voltage vacuum tubes, hydraulic dampers, plastic, phenolic, motor, LEDs
Here is the video for my new piece:
“Cycloptopus” 2012 (65” x 57” x 29”)
Cycloptopus is a fearsome hybrid of two of my favorite monsters, one real, one mythical. This creature is particularly dangerous because of its irritability. You’d be irritable too if you were powered by an open flame and your body was made of wood.
Materials:
Radio cabinets, rocking chairs, fake fireplace, decorative clock elements, cabinet knobs, wall paper, chair parts, lamp parts, wheel hub, motors, LEDs
New piece to share: “Cycloptopus” 2012 (65” x 57” x 29”)
Cycloptopus is a fearsome hybrid of two of my favorite monsters, one real, one mythical. This creature is particularly dangerous because of its irritability. You’d be irritable too if you were powered by an open flame and your body was made of wood.
Materials:
Radio cabinets, rocking chairs, fake fireplace, decorative clock elements, cabinet knobs, wall paper, chair parts, lamp parts, wheel hub, motors, LEDs
Here is a video of my short presentation at the Exploratorium in San Francisco last weekend. It takes you through the basic process of making a sculpture, followed by an overview of my work in general.
Wow Paul Spooner, he’s huge!
Seriously though, one of my heros.
This is my latest attempt to solve the puzzle of user interface. You’re looking at a photography dark room timer routed to a high amp relay. The user pushes the bright red button to activate up to six sculptures plugged in to the back of the box for a period of one to sixty seconds. This provides people with something they can interact with without exposing the art to mishandling. UV LEDs make use of the timers glow in the dark face.
I’ll be bringing two of my smaller new pieces to Instructables Robot Block Party this evening in San Francisco. If you’d like to come by be sure to sign up at the link below:
http://www.instructables.com/community/NRW-2012-Robot-Block-Party/
Brass Knuckles.
First Sunday of the month = Alameda Flea Market. Always a good time. Not much in my cart today: Giant ice tongs, tiny rocking chair, small clock. A decent haul.
Spent some time recently working out the hips and ankles of a new large Robot Sculpture. Its important that these parts be sturdy and aligned well with one another. This can be pretty tricky when the elements are curved such as these.
This Jacob’s Ladder will the head for a new large scale robot sculpture I’m working on.
This will be the head (I hope) for a new large piece I’m working on. It’s a Jacobs Ladder, meaning that a high voltage electrical arc will repeatedly climb the two long electrodes inside the glass cylinder.
Sometimes the wiring can be the trickiest part. I don’t usually have to draw it out before hand, but this one required it.
Working on a possible new direction. Infinity stack of angry faces?
I’m pretty excited about this little guy so far. The machine shown on the left of the image makes him appear to struggle feebly within his punching bag confinement.
I’ll be showing my piece “The Race” at Unfinished Projects over at MotoSF in San Francisco this Saturday Feb 25th (6-11). I’ll also have one of my trophy head pieces “Heavy Metal” on display.
275 8th Street, 2nd Floor
Here is a link to the Facebook event for more details:
Instructables just posted a nice little interview I did with them last week. It’s pretty general in scope until the end when we get into details about my “Quicksilver Scooter” project that I did a few years ago.
MSN recently produced a little travel segment about Oakland. I was asked to show Tanya Holland of Brown Sugar Kitchen around my studio and then take a little tour around town. She then returned the favor in her own segment. Check it out!
This video is the first mechanical test of a little climbing monster piece I’m working on.
One of my older (2005) insect pieces was included in a pretty cool survey of wasp themed sculptures over at Environmental Graffiti today:
http://www.environmentalgraffiti.com/art/news-10-amazing-recycled-steampunk-wasps
This is the second time Wired Magazine has printed this photo (this time in their UK version) without bothering to credit me or my sculpture. The image is used to support an article about Andy Rubin (he’s the one wearing pants), the man behind the Android operating system. Is it too much to ask that Art be considered as intellectual property, or at least valued in some way like every other business? I mean, come on, they’re printing a picture of a giant, anatomically correct, gun toting robot. Why bother even staging such a photo if it’s image isn’t compelling enough to warrant some kind of interest from their readers? Why not do the honorable thing and at least mention the guy who spent countless hours and dollars creating the thing? How hard is it to print a tiny little image credit?
O.K. done ranting now.