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This is the second iteration of a “Butterfly Paratrooper” theme. This one involved the exhaustive “Engine Turning” technique that produces the swirled metal pattern seen on the face of the enclosure.

Hand cut collage from old magazines. Its difficult to see in these photos, but the glass is domed about 3″ deep, and the elements are splayed out to fill the space.

Shown here is a selection of works from a series of small hand cut collages completed for my solo exhibit: The 2nd Dimension of the 1st World (2018). Graphic elements are distributed between layers of clear acrylic, creating various degrees of depth in each piece.

Much of my work originates from a deep love of machinery, and a curiosity about how things work. This piece is a salvaged head from a Bridgeport Milling Machine (a fairly iconic cornerstone of the metal working world). The idea was to build a literal reference to an exploded parts diagram of the machine, and use as many traditional manual machining techniques in the process to make it happen. The result is a real departure from the rest of my portfolio, but I’m confident that it will lead to more work in this vein.

This little fellow is the latest entry in my series of characters for the stop motion animation film that I will likely never make. I’ve always loved animation, enough to build figures like this, but the actual feat of producing a film still eludes me (though I did manage to make the little 24 second test below). If this guy seems familiar, it is due to his genetic relationship to the crew of the good ship Megalodon.

This piece evolved from observations made while watching my 3 year old son play with the steering wheel and radio buttons in our car. I told him “We can do better” and this is the result. The dizzying array of analog interface elements are equally engaging for children and adults.

This series was an exploration into tool use and tool making. Each was intended to balance between absurd and functional. Titles in order of appearance: Amplers, Moneyshot, Nibbler, Soloist’s Dueling Pistol, Coffin Nailer, and Hand Tool.

I don’t usually take a conceptual approach to making art, but when using an assault rifle as a “found object” it is difficult to avoid. From a mechanical perspective, I’m fascinated by guns, from a moral perspective, I’m conflicted about them. However you feel about them, they’re a divisive issue worth discussing.

Although very little material was added to the original rifle, the process of cutting and reassembling its various pieces required quite a lot of time and technique. The color scheme was chosen to mimic educational anatomy models found in schools and doctors offices.

Years ago I was gifted this interesting cigarette dispenser. The resulting sculpture was my attempt to bring out its best kinetic qualities.

I like to think of this sculpture as one of Leonardo DaVinci’s rejected ideas. Conceived after a night of drinking, the master thought better of the design, and tore the page from his notebook in disgust. Centuries later the page was discovered behind a bookcase and brought to life by a mediocre artist.

This figure was developed as an experiment in stop motion animation. When I was young, it was my ambition to become an animator, so I felt it was time to take a stab at producing a small film. The result was considerable time spent (happily) developing the linkages necessary to build armatures such as this one, but regrettably I found I did not have the temperament for the actual frame by frame capture required to see the experiment through.

We all have to face the limits of our intellect from time to time. These days technology can typically be depended on to pick up the slack. But what if you don’t have network access??!! Or power??!! This machine provides inspiration, and works off the grid.

In many homes it is common to have a drawer, typically in the kitchen, where random, seldom used, utensils are jumbled together. If these conditions are left unattended for too long, “Utinsects” can form, breed, and eventually overrun a household.